Artist: The  Pains of Being Pure at Heart
Title: Belong
Format: Full-length
Year: 2011
Label: Slumberland
Genre: Dream- /indie- /twee pop
Rating: 92 / 100
Yesterday, I wrote  something about The Dø being a really nice soundtrack to those first  wintry days of the carefully appearing spring. Well, Belong is  already with ease my favourite soundtrack to those lovely sunny days in  early May, sitting in the grass on the campus or playing volleyball on  the beach of that lake nearby on friday evening. Two years ago The Pains  of Being Pure at Heart astonished many people by releasing their  beautiful self-titled debut album, introducing those aforementioned people to their lovely  sugar sweet style of shoegaze, with their airy male/female vocal  melodies on top and the noisy fuzzy tones of their Fenders underneath. Belong  is nothing more than the sequel to their debut album, building further  on the basis they laid down two years ago.
When I first saw the announcement of this new The Pains of Being  Pure at Heart album I was really afraid of a big deception. Their  previous album was just so much near perfection it would be pretty much  impossible to reach that level or even top it. To be fair they didn't  really top it, but they came as close as possible. This album is again  full of really catchy, sunny music, with a slight melancholic touch.  Comparing The Pains if Being Pure at Heart to sugar would maybe be  possible while reviewing their previous record, in this case one will  have to look for even sweeter options, maybe aspartame will come close.  One of the reasons for this increasing sweetness is probably the way  fuzz and distortion are used on these tracks, their self-titled debut  was pretty noisy at times (which is something I love, don't get me  wrong), while Belong is mostly played with clean guitars, and  only occasionally features those layers of fuzz one might be used to  after hearing their debut.
Something that really grabbed my attention were the vocal  melodies on The Body, for some parts sounded exactly like  the vocal melodies on Atmosphere by Joy Division, making me  wonder whether they were actually inspired by Ian Curtis' ensemble  during the writing process. Also the opening melody of My Terrible Friend reminds me very much of one of the melodies of Ceremony, also originally by Joy Division, those last two tones are even exactly the last two words of Love Will Tear Us Apart. I have been in love with Joy Division for  almost 4 years now, and really like to hear something of their  inheritance back in todays music. Maybe it is just pure coincidence, I  don't know, maybe my ears are deceiving me, I don't really care, this is  wonderful, and so are the songs I mentioned.
Two years ago they gained quite a lot of attention, this time I  am pretty sure they will cause a tiny explosion in Music Land. And if  this explosions will ever take place, it's a well-earned one for sure.  For now I can't imagine anyone else besides The Pains of Being Pure at  Heart deserving it.
Spread the love,
Selwin.


 
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